I started with 1998’s The Story of the Ghost, in part because I’d always found the cover art a little unsettling: a painting by George Condo of a giant gerbil-like apparition dressed in flowing white robes, the cartoon cuteness of the creature’s face growing very sinister whenever I realized its nose was actually a second face, just as cute as the first. (Phish fans are more judgmental than people who love a band like Phish have any right to be.) But as I read Jess’ posts, there was something about the energy of their writing-the effusive love they exhibited for Phish while acknowledging and embracing how many things are outright embarrassing about them-that made me want to see what they saw. Focussing on the group’s studio work was an unusual approach, as most seasoned fans are committed to feeling indifference or outright loathing toward their studio albums-they’ll swear that attending a show in-person is the only proper gateway into the band. Last year, a few months into the pandemic, I was just starting to retreat into the art that dominated my adolescence-’90s Paul Thomas Anderson movies, anime, Pink Floyd-when I noticed my friend Jess embarking on a similar project, ranking and writing down their impressions of every Phish studio album that came out before their first hiatus in 2000. If I tried to enter their universe, I assumed I would bounce off an invisible wall.
Everything I knew about Phish from afar made them look too involved, too obnoxious, too myopic. And their relationship with their fans can register as an annoying in-joke, especially when the band sows its jams with strange signals and secret language only legible to the devoted.
The members of the band are aggressively unbeautiful singers, especially when they attempt to harmonize. Arrangements can be perversely convoluted, moving more like Saturday morning cartoons than songs, a warehouse of various Acme explosives going off. Lyrics are nonsensical, silly, and/or corny, with few exceptions. It rejects whatever you think of as tasteful or intelligent or even humorous none of these standards are meaningful within the realm of Phish. Their music is inherently uncool, like the washed-up refuse of classic rock, prog, and whatever you want to call what Zappa did fused into hideous sound sculpture. Grab your crew, some snacks, and get cozy.I used to hate Phish. If you’re buying the Phish stream, know that you’ll be able to watch all eight shows live *and* get 48-hours of on-demand access. The tour concludes with Phish’s annual Labor Day Weekend residency at Dick’s Sporting Goods Park in Denver. Later this summer, Phish will be back on the road for a summer tour, starting July 14 in Mansfield, Massachusetts. Packages via include options for the webcast starting at $24.99 per show, along with options for MP3 downloads and official tour merch. Individual shows are available to order, with packages in 4K & HD.Īll things (re)considered, Phish will be doing 34 shows on their 2022 spring + summer tour. will stream Phish’s Spring Tour, beginning on May 27th and ending with a 3-night run at Deer Creek. The tour falls on the heels of their return to Madison Square Garden in April, which was a real whale-of-a-time. If you’re looking for a Phish stream for couch tour tonight, I have good news: You can watch all eight upcoming 2022 Spring Tour concerts. Phish is hitting the road for a late spring tour, starting with three Memorial Day Weekend shows at Orange Beach in Alabama. The time is here, the mission’s… well, you know the rest. Ready to watch? Tune into the Phish stream via LivePhish.The eight shows kick off with a three-night run in Alabama, followed by shows in Charleston and three nights at Deer Creek.Looking for a Phish stream? Good news: Vermont’s finest improvisational polymaths will be livestreaming their late Spring 2022 store.
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